Say It Ain’t So
There has been some written material in the martial arts literature with regards to the “Gojushiho” katas known in Okinawan, Japanese karate, Korean martial arts.
Um…not that kind.
Upon first glance, you think “yeah sure Gonzo, one is a short version and the other is a long version- [Dai and Sho].” Variations of these Gojushiho Sho and Dai kata are also known as “Ueseshi,” “Sushiho” “Hotaku” and “O Sip Sa Bo” among other variant form names. You can see some variations on You Tube here.
Oh no! No more weird stuff with kata– let me be ignorant in peace!
In addition, you can read in the martial arts literature and on informational sources that this kata means the “number 54” written like this: 五十四歩
All of this information is correct. Unless you are talking about the kata forms by the same name in Okinawa Kenpo. In fact, the discussion about tournament karate with JKA (Japan Karate Association) referees does not apply to this conversation or topic. The kata known as Gojushiho Ichi (aka Gojushiho Koryu) and Gojushiho Ni (Gojushiho Chu) have a completely different connotation in Okinawa Kenpo. This is the story of a kata by any other name…
Posted in Gojushiho Dai, Gojushiho Koryu, Gojushiho Sho, karate, Karate Dojo, kata, Okinawa Kenpo Karate, RyuKyu Hon Kenpo Kobujutsu, Ryukyu Kempo, Seikichi Odo, Shigeru Nakamura, Taketo Nakamura
Tagged Matayoshi Shimpo, Okinawa Karate, Okinawa Kenpo, Traditional Okinawan Karate, Ultraman
The problem with karate today, especially karate practiced in the United States, is that it is typically:
 no longer traditional,  no longer reality-based and  not easily transmitted.
Traditional Okinawan Karate? That’s a Clown question Bro!
The problem may just stem with the times; we have to compete against video games, reality TV and the many variations of what people consider martial arts.
Will someone PLEASE give Mr. Dos Santos a glass?
What makes Okinawa Kenpo, ‘Okinawa Kenpo?”
This is the Okinawa Kenpo Dojo Kun found in hundreds of martial arts schools.
At this juncture it is important to provide some clarification on the Okinawa Kenpo lineage and style decisions that were made about the events after Shigeru Nakamura passed away. I will phrase them in the forms of questions in order to provide the most concise and clear information to date.
The late great Shigeru Nakamura tells us “there is no RyuHa (meaning there is no such thing as a style) in Karate.” In one noted meeting to a group of younger karateka, Nakamura continues: “Karate originates from the same universal ‘body’ of knowledge. Karate consists of many singular unique expressions of the same body of information.”
Shigeru Nakamura, (1894-1969).
Shigeru Nakamura firmly believed there was no “one style” of karate. He thought the divisions of karate styles would only bring the downfall and demise of a great combat tested martial art.
World War II changed the fate and history of Asian martial arts forever, particularly those in Japan and the Ryukyu islands. In the advent of the Battle of Okinawa, few Okinawan masters survived the aftermath, (e.g. Kyan Chotoku died of starvation in 1945.)
Kyan Chotoku, (1870-1945)
Seikichi Odo, (1926-2002).
This is my martial arts blog. It is dedicated to martial arts in particular the art of the Ryukyu islands and its influences. The most influential karate sensei of my life was the late Seikichi Odo. His name roughly translated to “World Walker” and by that standard, he spread Okinawa Kenpo around the world. My goal is to blog my way through this thing called karate and continue his spirit of the World Walker Way.